After catching up with Inception this week, I knew I just have to see Shutter Island as well. It has been a pure, uninterrupted, Leonardo moment for me, and I was in movieland euphoria!
It didn’t matter how I got typically bored the first half of Inception with all it’s rudimentary introduction of the theoretical aspect and the main concept of the story, not to mention the soggy hebrew national hotdog melting in my left hand (are movie theaters kosher now?) and the jug of iced cola in my right hand (I eat a balanced diet). The last half got me hooked all the way to the end of the movie. It’s for audiences who loved The Matrix, Minority Report, Strange Days (1995, Ralph Fiennes), or even Somewhere In Time (1980, Christopher Reeves), although the latter would be too mushy for people who are not into romance movies. So, buckle up and have fun with Inception!
So I went and rubbed plastic with a Redbox at my local Ralphs (rent a movie from a vendo — don’t you just love the 21st century?) and got Shutter Island. The trailer tells me it’s kind of eerie, depressing, psycho-thriller, but it was something I did not expect at all, even after I spoiled the ending by reading up the summary while the movie was running. It’s in the same niche as Sybil (1976, Sally Fields) and One Flew Over The Cuckoo’s Nest (1975, Jack Nicholson).
In sum, it’s Leonardo in one of his fine performances. He’s got that vulnerable, honest look in his face, and an exceptional ability of delivering lines so naturally that he takes you beyond the world of make-believe. I’d vote for him for a Golden Globe for Shutter Island.


